#just not that many so i had to think a lot

[woso-dreamzzz]

If You Were My Little Girl II

Alexia Putellas x Teen!Reader

Summary: Things are looking up

Alexia watches from the stands.

They're mostly empty, like almost all Barcelona B matches.

Women's football has only really started picking up steam recently but only at the top flight. The lower level leagues are still having a bit of a popularity issue.

But Alexia, for once, finds that she doesn't mind.

Because it means she can sit practically alone in the stands as she watches the home match.

A notepad sits on her lap, a pen tapping against the pages thoughtfully as she watches.

Barcelona B are good and Alexia has never expected anything different. She's seen the system at work many times as La Masia churns out players like Aitana and Pina and Jana, and more recently Vicky and Martina.

There's a reason so many clubs wants La Masia products.

They're all good players but even now, Alexia can tell a great player when she sees one.

You rise up among the crowd in the box and slam the ball into the goal, the net rippling with the force of the shot.

The best part, Alexia thinks, is that you didn't even need a moment to control the ball, hitting it in on the volley and grinning as your teammates practically dogpile you.

A hattrick in ten minutes is impressive in any league and Alexia makes another note in her notebook, humming softly to herself.

She rises out of her seat at the end of the match, disappearing into the building and out the doors.

It takes another half an hour for you to appear again, hair damp and an old crew neck sweater that Alexia's pretty sure is Alba's being tugged over your head.

You slip into the passenger seat, throwing your bag into the backseat and Alexia pulls your head down to press a kiss against the side of it.

You smile shyly at her as she offers up the fries she'd bought for a job well done.

"You did good, kid," She says," Very impressive."

"Yeah?"

"Yes. But I think we're going to work on evading slide tackles next," Alexia says as she drives off," We're trying to keep those ankles of yours intact, alright? I'm going to need them this season."

You roll your eyes and Alexia clicks her tongue.

"Don't roll your eyes at me," She says," I've got a good feeling about that meeting later in the week. A great feeling, actually. You should have one too."

"I'm managing expectations."

Alexia looks at you fondly. "Well, we'll see which one of us is right in a few days."

She lets you choose the music in the car, like she always does when you've scored a goal and you pull up to the apartment a lot quicker than you want to seeing as you're in the middle of singing along to your favourite song but, still, you drag yourself out of the car and up the stairs.

"How was the match?" Olga asks as she greets Alexia with a kiss on the lips.

"She did very well," Alexia brags," A hattrick within the first ten minutes and another goal in injury time."

"Exciting," Olga says indulgently as Alexia grins, already giving her running commentary of everything that happened during the match.

You escape though, hurrying to raid the cupboards before Alexia finally comes to her senses and tries to stop you 'spoiling' your dinner.

You don't know if there's any way to thank Alexia for what she's done for you.

Just three months ago, you were convinced that you were going to quit. You had no passion for the game, no hope of what your future was going to be but now all of that had changed.

You had direction. You had a manager. You had new boots and a place to live that wasn't a group home and support and love and everything seemed to be coming together for you.

A toe pokes you in the leg.

"Move."

"Alexia says that if you're trying to nap on her sofa again then I don't have to move," You tell Alba, who huffs and pokes you with her toe again," She also says that you have your own apartment and should stop mooching of us."

"But Olga's a better cook than me," Alba complains and you roll your eyes.

"Aren't you an adult? Even I can cook."

"Yeah but it's not like you could mooch off your sist-"

Alba falls silent quickly and you pretend to not notice what she was going to say for both hers and your own sakes.

The topic of your sister is kind of off limits when you're in the room. It's not completely banned because Alexia's still Jenni's national teammate but she's not really spoken about if you're in the room.

Alba's face flashes with terror for a moment so you pretend you don't notice her slip up ever though it sends a bolt of lightning into your stomach, a deep pit forming there.

It works for the most part, everyone in the house pretending Jenni isn't who she is to you, pretending that she's just Alexia's teammate and not her friend and ex, pretending that Alexia fostering you isn't her walking on a tight rope because Jenni doesn't know.

All Jenni knows is that you didn't quit when she told you to.

Jenni doesn't know that you live with Alexia. Jenni doesn't know anything. You doubt she even thinks about you when she's got a life far away in Mexico.

She lives there, far away from you and your life here in Barcelona.

She lives there and her presence is hardly ever mentioned around you.

Life is good at Alexia and Olga's house. Life is even good at training, though you could do without the smug little smirk Alexia has on her face when she picks you up.

"You already knew!" You accuse her, waving a finger in her face.

"Knew?" She asks, lips curl up in what can only be described as pure smugness," Knew what?"

"Right, who told you? Go on. Who was it?"

Alexia grins. "You do realise I am the captain? Any time they're looking to bring someone in, they ask me my opinion."

You roll your eyes. "Yeah and I'm sure you gave it."

"You're a good player. A great player," Alexia says," All I did was tell them what they already know."

You look down at your lap, fidgeting with your fingers. You want to be mad at her, to yell at her for keeping this from you. Maybe even yell at her for promising to the staff something you're not but you know she hasn't done that.

If she thought you weren't ready, she would have told them that.

But Alexia didn't. She didn't tell them to let you have a bit more time with the B team. She didn't tell them that you don't quite have what it takes.

"Thanks."

Alexia smiles at you as she drives home, a comfortable silence enveloping you both until your hand is on the door handle.

You stop.

"When I open this door, there's going to be a party, isn't there?"

"I may have told Olga...who told Mami...who told Alba...who told the rest of the family..."

"Is that a yes?"

"Possibly..."

"And there's no getting out of this?"

Alexia ruffles your hair, a soft kiss being pressed to the side of your head. "They're here to celebrate you."

You suck in a breath, just ready to turn the handle when the sound of the lift doors opening chimes down the corridor.

Both you and Alexia turn your heads towards.

It's just a fleeting second.

Just a moment.

But your good mood plummets as the door opens.

Alexia's hand tightens on your shoulder, pushing you slightly behind her and putting herself between you and the elevator.

Between you and Jenni.

[itachiiwrites]

𐙚 𝐂𝐇𝐄𝐂𝐊𝐌𝐀𝐓𝐄¡!

cw. 18+ flithy smut, Sub!Gojo, Dom!Reader, Enemies to lovers, gojo is a virgin and the word loser is used a lot.

AcademicRival!Satoru believed he'll have a merry time getting paired with you for your upcoming assignment, afterall, you were fun to pick on and he adored the way the vein would pop on your forehead after he says something to completely throw you off the tracks. His plan was to make you do all the work while he gets on your nerves to pass his time.

Satoru prides himself in being jack of all trades, he's the captain of the collegiate basketball team, student body president, has 4.0 GPA in his astrophysics major and is on the dean's list, his stunning good looks were to kill for and to add to those never ending positive attributes he's filthy rich, if it wasn't so obvious by his sports car's raging engine whenever he drifts it around in the campus. Gojo Satoru was a star. Gojo Satoru was game.

Admirers and people lining up for him was no big of a deal, it is the routine when you're him. You're one of the many people who find him fascinating, find him attractive (which was something you would never admit to, even if a ceiling fell over you) but still, why was he shaking his legs underneath the table while he watches the furrow of your brow focused on the screen in his dorm room? He's way too distracted to read this paper about Aesthetics and Marxism—he only took up sociology because it was a humanities requirement within his course and also because he was utterly, out of his mind bored.

Feeling the burning gaze of his abnormally blue eyes, you slam your fist onto the table and anyone who was in their right mind would be able to decipher that your expression was twisted in unfiltered annoyance, the mask of a small, pleasant smile as your veins popped on your forehead was failing miserably. "We could get a lot done if you didn't think this was a staring contest"

"Wow, really? I did think it was a staring contest with how boring all this is" He mocked knowing it would only agitate you further, his eyes shamelessly trailed over the plushness of your thighs and how the skirt fabric sat on top of it, his thoughts were digressing, wondering about the colour of your pant—

"What are you looking at, pervert..?" You point it out to break the unholy chain of his thoughts immediately, his eyes widened by being caught off-guard, evading away to focus on the papers in front of him, lasering his eyes to aim at understand at whatever 'Russian constructivism' meant, his fist gripped the pencil tighter and tighter as he felt unbelievably panicked at being caught, the trance of embarrassment breaking away along with a sharp 'snap' of the pencil.

With a faltering attempt to maintain his cockiness, Satoru looked at you. "Just looking at how much of a loser you look, even broke a pencil because it's annoying how nerdy you dress" a painful roll of his eyes followed by, but his ventures to cover the way he felt were too poor and what was the parameter? The goddamned seductive smile on your pretty lips.

Gojo Satoru was game, but he was a fucking virgin.

"Lying is not going to save your ass, I can literally see the tent in your pants, what are you..a teenager..?" The mockery in your eyes and the superiority you had over him in that very moment was enough to make him let go of his guards and feel his knees buck. You were beautiful and he was so pathetically down bad for that.

"Unlike you, I have many things to excel at..who has time for something as stupid as this anyway" You had to give some kudos for the fact that his voice remained balanced despite the throbbing erection in his pants, and you made a face with slanting pursed lips that was to show him you believed him, although anyone could tell you didn't.

"what is with that face? You think you're better than me? What do you know about sex, having your cute nose burried in those stupid books all day.." And that statement makes you raise your brow, Satoru Gojo, called you cute? This was something, this was when he knew he messed up and you had all the power.

"Why don't I show it to you then? You wanna be a loser in this one area? Come on.. you're better than that, right?" Satoru gulped, the offer was beyond tempting, all those fantasies he ran his mind for while wrapping his hand around his cock in his dark dorm room, relieving himself while yearning for the warmth for your mouth and cunt—finally had the chance to be fleshed out to life. It was tempting indeed but what about his ego?

"Sure, I bet you suck at this too" He huffed a laugh with his faux confidence, only to be miserably proved wrong within a few minutes.

"Please— fuck! Your mouth feels so good.." He breathed heavily with an almost violent rise and fall of his chest, his legs sprawled wide as he was on the couch of his room and you, his beautiful arch-nemesis was skillfully using his cock like it was your personal toy. Satoru didn't feel he was being sucked off for his pleasure, he was being sucked off to be proven of the fact that you were in control here.

He reached his trembling hands to tangle within your locks as you let a thick glob of your spit fall onto his tip with a grin, tantalisingly rubbing it on your glossed lips. "Better than your stupid fist right?" And he moans at that degradation, his eyes marbeling with glassy tears, your pride swelled more than anything.

"Ever seen tits in real life? Or are you that much of a loser to have Inoue Waka as your wallpaper.." You teased further, unbuttoning your blouse and unfastening your bra from the front to spill out your breasts and Satoru's brain simply short circuits the moment the cushiness of your tits gather around his cock and he feels the tightening sting on his abdomen, dripping out loads of his cum onto your tits, painting you like the masterpiece you were with thick ribbons of his ejaculate.

You hum, licking a long strip from his base, swirling your hot tongue around his softening, sensitive frenum as he is limp by the pleasure.

"There's no way you're this good.." He spoke, almost sounding as if something unbelievable happened, almost angry.

"Such a good boy 'Toru.." You giggle in response, kissing his abdomen and he feels pathetically, helplessly in love with you.

Gojo Satoru was game, but you were a roulette.

[deathbxnny]

hey i was wondering if you could do how arcane characters would react to seeing their partner looking really good dressed up?? also i love ur writing!!

Arcane characters reacting to their s/o dressed up really pretty. | Vi, Ekko, Jinx x Gn!Reader

Thank you for the request, Anon, and I hope you'll enjoy this!!<3

Content: Established romantic relationships, fluff, sfw

Reader has no set pronouns.

((Not proofread))

》VI

"Ooh... where are we going?" A wide grin rested on her lips as she watched you put on your fancy shoes and straighten out the last details of your pretty attire. "I'm going out with a couple friends." In other words, she was not invited. But Vi couldn't hear you over the sound of her mind spinning with many different thoughts.

Humming, she leaned against a wall next to you, intensely dark eyes staring you down with a glint that made you shake your head in defiance. "No." "Oh come on, Cupcake! Do you really have to go out today? I mean... I can go along. It's dangerous around this time of the night and-" "-Viiii. I can take care of myself." She pouted at your clear disagreement, hardly attempting to even hide how much she loved the way you looked.

"Aw... please? At least let me tag alone so I can show you off to everyone." Typical. And yet, you had a hard time denying her anything when her hands suddenly sneaked around your waist so smoothly. She always got what she wanted out of you in the end. Not that you necessarily minded.

"Fineeee... but keep your hands to yourself around them." You huff out whilst your heart warmed a t the sight of pure excitement on her face. But the slyness in her smirk didn't leave as she gratefully kissed your cheek and let go. "Can't promise you that when you're looking so good, unfortunately... but I'll try. For now."

Rolling your eyes with a smile, you let her happily run off to get ready, glad that she enjoyed your outfit a lot.

》EKKO

He was stunned at the sight of you emerging from the bedroom, fully dressed up so beautifully it left him speechless. The Firelights were having a huge festival in celebration of a recent successful mission, and of course, you were both expected to look your best. And you weren't the type to ever disappoint either.

It was rare to see you dressed up so nicely, the cute outfit being one he had only seen a small couple of times before due to your line of work and life circumstances. But in his mind, you looking so good was a sign of success. He wanted you to be able to dress that way every day, perhaps another motivation of his to continue going.

"How do I look?" You ask, the nervous tone in your voice making his eyes soften even further. "You look great. Who are you trying to impress, hm?" His words were playful as he grabbed your waist carefully. Ekko mirrored the shy smile that crept onto your lips at his question. "A certain someone. I don't think you know him, though." You played along, watching as he raised a brow with an unimpressed smirk.

"Hm... maybe we shouldn't go out then-" "-Oi! Why are you guys taking so long? Let's get going." Scar's voice made you both jump, as he appeared in the doorway and waved you over. A sly smirk crept onto your face as you quickly followed after the man. "Ah, there he is! See ya around, Ekko!" "Hey! I'll remember this-!" Running after you two, he couldn't help but laugh a little.

The festival was going to be great, to say the least.

》JINX

You were just trying out some new clothes you had gotten. Nothing special and definitely not for anyone else's eyes, except for hers. Once you were done, you were quick to hunt down your girlfriend to show her your outfit. "Jinx! How do I look?" You asked, a happy smile on your lips as you now stood next to her, whilst she tinkered away on some projects. Removing her googles, she glanced up at you and blinked in surprise, near speechless for a moment.

Nervously shifting under her intense gaze, you wondered if she didn't like it. "Uhm... should I go change or-" "-You look really good..." She muttered thoughtfully before a large grin crept onto her lips mischievously. "A bit too good! Makes me nearly jealous, pretty. How about you dress me up too so we can match?" You should have honestly seen this coming, as she enjoys doing cute things like that with you.

And so, you did as she asked, whilst she painted your nails to match her own. By the end of it, you looked like you were headed to a fancy event, something she found greatly amusing. Kicking a nearby radio to make it play music, she held out her hand to you with a bright smile. "Alright, let's get this party started!"

[cutielando]

v.s. angel | l.n.

synopsis: in which Lando is there to support you for your first Victoria's Secret runway show

a/n: based on this request!

my masterlist

To say that you were nervous was the understatement of the year.

The ride towards the venue seemed like it was taking forever, the buildings breezing past you at a rapid pace.

Lando was sat beside you in the limo, analyzing you from head to toe.

He knew how much this night meant to you, how hard you had been working ever since he met you to be able to finally walk the runway as an Angel. And now finally, all that hard work was being paid off.

His eyes gravitated towards your bouncing knee and your fidgety fingers, his heart clenching.

“Hey” he said, his hand coming to rest on your knee, which momentarily made you stop your movements.

You turned your head to look at him and let out a big sigh, relaxing a little into the backseat at the feeling of his touch.

“Hey” you replied, smiling slightly.

You weren’t used to being in this position. Being the nervous one, being the one in the center of attention. It was usually the other way around whenever you would join Lando at events. But now that it was your turn to shine, you were close to freaking out on him.

“You don’t have to be nervous. You’re gonna kill it out there” he said, his fingers rubbing soothing circles on your knee and lower thigh.

You sighed again, your eyes boring into Lando’s.

“What if I mess it up? I know I’ve been saying I’m ready to do this, but what if I’m really not? My career could be over in a heartbeat if even the slightest thing goes wrong” you explained, staring into Lando’s eyes.

They always brought you comfort, no matter the situation that you would find yourself in. Just one look into Lando’s eyes and the whole world around you would calm down and all of your problems suddenly seemed a lot smaller than you had made them out to be.

That’s just the effect that your boyfriend has on you.

“That’s a lot of “ifs” for one sentence, don’t you think?” he asked, his voice teasing you a little bit. “Baby, you know as well as I do how hard you’ve been working to finally make it here. These people chose you for a reason, out of so many other models they chose you. They saw something special in you, don’t put yourself down now. You’re going to step on that runway and knock everyone on their asses” he said, his face as serious as you’d ever seen it.

He was right, at the end of the day. But he knew it was the nerves talking, so he had no problems in making sure that you knew just how special you were.

“Thank you. I love you so fucking much” you tearfully said, leaning in and pressing your lips against his, hard, in a passionate kiss.

Lando reciprocated it, sneaking one of his arms around your waist to pull you closer to him, his other hand still resting on your thigh.

“I love you more. Show them what you’re made of. I’ll be proud of you no matter what”

You smiled, for the first time that night, and nodded frantically.

You were gonna rock the shit out of that show.

♡♡♡♡♡

Safe to say that your brave facade had only lasted an hour, right up until the moment you were supposed to step on the runway.

You were back to freaking the fuck out, your palms were sweating, your legs were shaking, your heart was threatening to beat out of your chest, and Lando was nowhere to be seen.

He had left you in the changing room before he made his way into the audience, which right now seemed like the worst idea he had ever had to you.

“Y/N, get ready. You’re up in 2 minutes” the stage managed announced, making your breathing even more ragged than it already way.

You slowly made your way to the entrance of the runway, careful not to slip and fall on your wobbly legs. You sneakily got a look of the audience and the other models. the amount of people adding to your already growing stress.

But you couldn’t even focus on them anymore. Your eyes were frantically searching for his, the only thing that you could find solace in at that moment.

You were slowly starting to give up hope of seeing him from that angle before you got on stage, but then your eyes landed straight on him.

He was already looking at you, his eyes worried but excited at the same time. He subtly gave you a thumbs up and mouthed “You’ve got this, I love you” before giving you one of his signature smiles.

You smiled, blew him a kiss and stepped back, closing your eyes as you gathered your thoughts.

You had been waiting for this moment ever since you were a little girl, you had worked your ass off for this opportunity, and you were about to show everyone exactly what you were made of.

Letting out a big breath, you shrugged off the thin robe you had tied around your waist, walked up the steps to the runway and stepped into the spotlight, a bright smile gracing your face as you confidently made your way down the runway.

The audience was in awe as they followed you with their eyes, but the only eyes that you cared about were Lando's.

He was clapping the loudest out of anyone, beyond proud of you and what this meant for your career.

"Go baby!" you heard him yell, and it took everything in you not to stop and blow him a kiss or just jump off from the stage straight into his arms.

Instead, you smiled even wider, stopping at the end of the runway to pose with your wings before turning around and walking back, catching Lando's eye for a second and winking at him.

The audience was clapping the loudest they had all night as you slowly retreated off the stage, almost doubling over your feet as you were finally out of the spotlight and into the safe comfort of the dressing room.

"Are you okay?" another Angel asked you, one of the girls you had got to know pretty well over the last few weeks.

"I can't believe I just did that" you said, both of you silent for a moment before you burst into laughter, clutching your bare stomach.

"You were great out there, especially considering the support system you had" she teased before pointing behind you.

You chuckled and turned around, seeing Lando making his way into the dressing room and towards the two of you.

No words were needed as you completely melted into his arms, the familiar warmth of his hold enveloping you like a safety blanket. His arms had slowly become your favorite place to be, the place where nothing and nobody could get to you, where you could let yourself feel and where you could be safe from everything out there.

"You were incredible out there. I couldn't take my eyes off of you" he whispered, his breath hot against your ear as he held you close to his body.

You chuckled, squeezing him a little tighter.

"Thank you for being here for me. I can't even explain how much having you here meant to me" you said, your eyes welling up with tears as you buried your face into his chest, hiding away from the world to a place where it was just the two of you.

"I wouldn't miss this for the world, I'm so proud of you" he whispered, pressing a kiss to your cheek.

The love that you felt in those moments was overwhelming, but at the same time was everything you could ever wish for.

"I love you so much" you pulled away just enough so you could see his face, your gaze instantly falling to his lips.

"I love you too" he said before leaning down and pressing his lips against yours.

The whole world seemed to fade away, the runway and show long forgotten and pushed at the back of your mind.

You had everything that mattered right there with you.

Your love and biggest support.

Your Lando.

comments and re-blogs help us grow!

much appreciated!

REQUEST HERE

[alchemistc]

The call comes in just after 2 PM, and Tommy's in the air five minutes later. White male, early thirties, took a tumble off the incline at one of the intermediate hiking points near Griffith Park, the engine can't winch him up without exacerbating his injuries.

It's a quick flight. Nothing remarkable at all, until Hurst has been down on the ground for a few minutes too long and then Tommy's captain is on the radio asking him to hand over the controls to his copilot the moment he lands at Presbyterian.

He's pissed about it the entire length of time it takes for the winch to pull up Hurst and their new passenger - time and a half for a 48 hour stretch isn't anything to scoff at.

And then he hears Hurst rattling off information as the door shuts, and he's desperately trying to remind himself that no amount of outside noise has ever distracted him before.

Evan Buckley, 33, moderate concussion, sprained ankle, three broken fingers, possible broken ribs, pulse is steady but BP is trending high.

Happy fucking Thanksgiving.

---

Tommy's phone rings as they're making the handoff at, and he answers more out of habit than anything else. It's Cap again.

"You can either ride shotgun back and be man behind or I can shift your time and a half somewhere else because you've had a family emergency," Hobbes says, and Tommy would love to have a snappy retort but he's still thinking about the way Buck had come out of it enough to tell Hurst his boyfriend - "ex-boyfriend, sorry" - flies for 217 too. Hobbes clears his throat. "Considering your last family emergency was when I forced you to take a holiday off, I know which one I'd choose."

Tommy blinks. They're almost to the doors.

"I'll see you in a few days, Captain," Tommy murmurs and hauls ass towards the retreating medical team wheeling Buck into the hospital.

---

He'd listened while Hurst and her partner - a loan from 136 he still hasn't actually been introduced to - pumped some pain meds to keep Buck from hurting himself more, but it's still a surprise to see how zonked he looks, pupils wide and eyes glassy as he blinks slow blinks up at the ceiling, the doctors, and Tommy.

Buck tries to tip his head sideways when he catches sight of him, and pulls a face when the C collar impedes the movement. A hand snags out, catches on the seam of Tommy's flight suit, and Tommy can't quite help himself. He reaches out and holds the hand in place.

It's easy to keep pace with the orderly as they leave the elevator, and Tommy knows exactly how many doors he's allowed through before he's got to make his way to the waiting room and figure out where the fuck to go from there.

Buck's face is scraped up good on one side, and the hand not in Tommy's is splinted too much for him to catch the full damage. There's more blood than Tommy can consciously account for in the moment, although most of it looks to be drying. The hand in his squeezes. "S-someone should ca-." He winces. Seems to lose his train of thought. Rolls back around to it right before the final set of doors. "You'll call Tommy?" he asks, a desperation on his face that does something ruinous to Tommy's gut, but the orderly has already slowed down and now she's looking a little like she'll shove Tommy off if he doesn't let go of her patient.

Tommy nods. Squeezes. "I'll call Tommy."

Buck's smile is lopsided and loopy as Tommy lets go of his hand.

"Good," he murmurs, and the doors swing wide and then shut behind him, and Tommy spends a solid five minutes staring at the spot where the red striping in the tile at his feet doesn't quite match up to its neighboring tiles.

---

He's a coward, so he calls Eddie first and puts his foot in it immediately.

"Why was Buck alone on a hike on Thanksgiving?" he asks, before Eddie's even finished his greeting, and he's glad he's stepped outside to make this call. He's not moderating his volume at all.

Eddie pauses. Seems to reboot. "Wait, what?"

Tommy recounts what he knows, which isn't a whole hell of a lot, if he's being honest. "So. When can I expect the cavalry?"

Eddie's silent for a beat too long. "I'm in Texas, Tommy. Is he - is it serious? How bad -?"

"He was conscious. Slightly more than superficial injuries. He'll - recover."

He'll be fine doesn't have the right ring to it, when he's just watched the man wheeled away without even recognizing Tommy.

"He went on a hike? What kind of idiot -?" Eddie asks, and then he's silent for a beat too long. "Tommy, don't take this the wrong way, but if there's even a small part of you telling you to make a break for it, do it now before he has a chance to get his hopes up."

Tommy feels it like the knife it's meant to be. It'd be shutting the door, really - in the short term, he'll remember asking someone to let Tommy know, and he'll assume Tommy didn't show. In the long term he'll remember exactly who he'd spoken to and he'll be pissed enough to make it a clean break.

It hasn't even been a month, and Tommy's out of distractions. No work, no house to clean and reorganize, no engines to tinker with, a phone on half battery.

"I need to call Maddie," he says, and he can hear the echo as Eddie shifts to speaker.

"No need. She's on her way. With like, half the station, apparently." He rattles off what must be a text from the group chat.

Tommy shoves down that familiar ache while Eddie sounds off everyone who is currently in the process of abandoning their holiday dinners to come sit in uncomfortable waiting room chairs and twiddle their thumbs. He should leave. Cut the loose threads, take an Uber home, convince his captain he doesn't need Friday off.

He's silent long enough that Eddie feels the need to check and make sure he's still there. There's an ambulance swinging into the bay thirty feet from where Tommy stands.

"You screwed up," Eddie says, and Tommy grimaces, swallows, ignores the thrum of anxiety pooling in his gut. "Showing up for him now would go a long way towards making a reconciliation viable. If that's something you want."

Tommy doesn't know what the fuck he wants, anymore. He's never allowed himself to have it long enough for it to settle. But he knows how it'd felt to know the first person on Evan's mind in the midst of his pain medication haze was Tommy.

Tommy pulls up the first delivery service app he sees and wonders how big a tip he should give for ordering a dozen coffees an hour before closing time on a national holiday. "You know what everyone's usual coffee order is?"

Eddie adds him to a group chat that's going to drain the rest of his battery before Evan's out of surgery.

>>>Part Two

[peppermintquartz]

Buck volunteers for the Thanksgiving shift. When Maddie asks, he apologizes, saying, "I don't really feel festive right now. But keep some leftovers for me?"

On the day, firehouses around the country all have similar calls to deal with: kitchen grease fires from frying turkeys, sprains in backyard games of football, people injuring one another because "did you hear what she said about our Emma/Francis/Kailey?". Buck is kept too busy to think, and it's nice having the time to catch up with Ravi, who's thinking of going to school to study law.

Their brothers and sisters in uniform also drop off dishes at the station, so between calls, they get pretty good food. Captain Graham gives them an hour offline after four consecutive calls. Buck collapses into a chair and serves himself pasta salad and a delicious honey baked ham, while his dinner rolls warm up in the oven.

He's scrolling through his phone, diligently avoiding the messaging apps, when a message preview pops up.

Tommy.

Buck almost drops his fork. He scrambles away from the dinner table, even though no one on C shift will try to take his phone from him, and finds a spot in the stairwell to read it.

Tommy: hope you have a good & safe Thanksgiving

As he's reading, another bubble appears and Buck's heart skips several beats, but this time it doesn't disappear. A second message arrives, followed by a third.

Tommy: don't know why I texted that

Tommy: guess I just wanted to say something to you

Tommy: you don't have to reply

Tommy: anyway. Happy holidays

Buck feels a slight loosening of the vice around his heart that has been there since that night. With a smile on his face, he types, deletes, types again.

Buck: happy Thanksgiving to you too

Buck: how many kitchen grease fires you got this year? We had 3

Tommy: you're working today?

Tommy: 4, but one of it was in the backyard

They're having a conversation. They're having an actual casual conversation, as easy as they used to on calmer shifts. Buck wants to cry. But he has to answer Tommy's question or have this conversation end too soon. Thinking about his options, he decides that he has nothing to lose anyway.

Buck: I didn't wanna sit around and smile and pretend I'm thankful for everything

Buck: it's better to keep busy

Tommy: I know that feeling

Tommy: I'm sorry

Buck: I'm sorry too

Buck: I wish we could've celebrated together

Buck: I would've said that I'm thankful for you

Tommy: I would have said that too

Tommy: I'm still thankful for you jsyk. I'll always be grateful to have got to know you

Does Tommy think he can't stay in Buck's life just because they broke up?

Buck: I don't think you know me well enough

Tommy: sorry

Buck wishes he'd run after Tommy that night, or done something since to show that he wants Tommy. Well, here's your chance, his brain reminds him. Do something.

He takes a deep breath. Then he types.

Buck: I want to meet. If I come over after Thanksgiving shift, will you please be home?

Tommy: is that a good idea

Buck: idk. But I can't stop thinking about you, and I miss you, and I wanna know what I did wrong. I wanna meet.

Tommy: I miss you too. You didn't do anything wrong, I just didn't want to... Idk. I didn't want to get my hopes up too much.

Buck: we need to talk in person. Texting is not good enough.

It isn't. He needs to see Tommy again. Tommy with his storm blue eyes and tender smile and broad shoulders and soft clothes. Tommy whose crinkly smile drives Buck a little (a lot) insane. Tommy whose lips he now knows the shape of by touch alone, whose body he has mapped out in detail, who knows how it feels to be inside Buck in the most intimate of ways.

He waits for a response. Hopes there will be one. It comes several minutes after, like Tommy had to really think about it.

Tommy: maybe not immediately after Thanksgiving shift

Tommy: are you off on Monday

The relief that crashes into Buck feels almost as overwhelming as the tsunami he was caught in years ago.

Buck: yes

Buck: your place this time

Buck: I'll bring cake

Tommy: you don't have to bribe me to open the door

Buck: no I just baked too much stuff is all. I'll explain when we meet

Buck: I'm really thankful you texted

Tommy: I'm thankful you replied

Tommy: have a good rest of the shift, Evan

It's Evan again. Buck can't hide his smile at all. Tucking his phone into his pocket, he goes back to dinner. Monday can't be here fast enough.

[annasellheim]

So this was on the @writing-prompt-s site- so I'm treating it as a writing prompt. (I can't fucking draw right now due to a busted shoulder, so I'm doing a bunch of them because I'm alone, hurt, and sad, and they're fun).

Anyway, the story:

I sat down next to him. I looked at my former student, now an adult. A brilliant engineer. I remembered him. I had really liked this kid. The man in front of me was impressive as hell too. It didn't surprise me at all.

"I'm really, really sorry this hurt you. That I hurt you. What I was trying to do was show you some techniques. My goal was that, later, after you learned them, you could deviate from them and make your own thing.

We have a set of guidelines of things we need to teach. It's a mandatory curriculum, with national guidelines, just like math or science or whatever. But it varies from state to state. And who the hell knows what they do in private school. And the curriculum isn't focused on self expression as much as teaching you how to use fine motor skills and..."

Shit, stop it Anna. You don't need to keep justifying yourself.

I try to remember when he had moved away during the school year. I wonder if I hadn't gotten to the point in the spring semester where I gave my students more lee way, to experiment and deviate from the techniques I showed them. To let them decorate their dishes any way they wanted. To make trees and flowers for different seasons. I wondered if he had been part of one of my first classes, before I figured out how to create a really solid curriculum.

Regardless, I could have been clearer about it. I was new to teaching when I had him as a student, I know that much. I was overwhelmed, and honestly, barely keeping it together for the first, like, 4 years I taught. And there were 20-30 students in my classes. It took me a a while to figure out what works and what doesn't in the classroom.

The most important thing was this man in front of me. He was way quieter and more hesitant than the kid I remembered. I hope I didn't do that to him, but I'm was probably reading too much into it.

I took a sip of my coffee.

"You know what's cool tho? The shit you've been doing at work-"

He looked surprised and snorted.

"What?"

"You swore."

It was my turn to laugh. "Yeah, to be fair I'm not in classroom mode right now.

Anyway, the stuff you've been doing at work, it all sounds like it takes a ton of creativity to accomplish."

"I never thought of it that way..."

"Well, you've been on the forefront of a bunch of stuff because you think outside the box. I'm glad I didn't rob you of that."

We sat next to each other on the bench. He was thinking it over. I was trying to not dwell on the fact that he brought this up, that he had carried this pain with him for 20 years.

"Do you still make art?"

"No, not since elementary school, since my last-"

"Your last required art class. Got it."

I gave him a side eyed glance.

"You know you can get back into it at any time, right?"

He was taken aback, he obviously had never considered it.

I smiled. I've had this conversation before, many many times.

"It's not like a sport or something. You can start at literally any point in your life, you don't need to be young and in peak physical condition. Art ain't basketball.

The cool thing too is that you can choose what you want to make, you're an adult. Nothing in art is required for you to learn. You can pick any class you want, or no class at all."

I gave him my business card.

"If you shoot me an email, I can give you some books to read for you to get started. Not to teach techniques, but exercises that help get you back to the point where you just make stuff. I think a LOT of people stop making art for all kinds of reasons, not just because of a novice teacher. There's been a bunch of stuff that's come out recently to try to help adults make art again. y'know, to recapture the joy of it."

We said our goodbyes. I really hope he thinks it over and reaches out.

Once a little boy went to school. One morning The teacher said: “Today we are going to make a picture.” “Good!” thought the little boy. He liked to make all kinds; Lions and tigers, Chickens and cows, Trains and boats; And he took out his box of crayons And began to draw.

But the teacher said, “Wait!” “It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make flowers.” “Good!” thought the little boy, He liked to make beautiful ones With his pink and orange and blue crayons. But the teacher said “Wait!” “And I will show you how.” And it was red, with a green stem. “There,” said the teacher, “Now you may begin.”

The little boy looked at his teacher’s flower Then he looked at his own flower. He liked his flower better than the teacher’s But he did not say this. He just turned his paper over, And made a flower like the teacher’s. It was red, with a green stem.

On another day The teacher said: “Today we are going to make something with clay.” “Good!” thought the little boy; He liked clay. He could make all kinds of things with clay: Snakes and snowmen, Elephants and mice, Cars and trucks And he began to pull and pinch His ball of clay.

But the teacher said, “Wait!” “It is not time to begin!” And she waited until everyone looked ready. “Now,” said the teacher, “We are going to make a dish.” “Good!” thought the little boy, He liked to make dishes. And he began to make some That were all shapes and sizes.

But the teacher said “Wait!” “And I will show you how.” And she showed everyone how to make One deep dish. “There,” said the teacher, “Now you may begin.”

The little boy looked at the teacher’s dish; Then he looked at his own. He liked his better than the teacher’s But he did not say this. He just rolled his clay into a big ball again And made a dish like the teacher’s. It was a deep dish.

And pretty soon The little boy learned to wait, And to watch And to make things just like the teacher. And pretty soon He didn’t make things of his own anymore.

Then it happened That the little boy and his family Moved to another house, In another city, And the little boy Had to go to another school.

The teacher said: “Today we are going to make a picture.” “Good!” thought the little boy. And he waited for the teacher To tell what to do. But the teacher didn’t say anything. She just walked around the room.

When she came to the little boy She asked, “Don’t you want to make a picture?” “Yes,” said the little boy. “What are we going to make?” “I don’t know until you make it,” said the teacher. “How shall I make it?” asked the little boy. “Why, anyway you like,” said the teacher. “And any color?” asked the little boy. “Any color,” said the teacher. And he began to make a red flower with a green stem.

~Helen Buckley, The Little Boy

[felassan]

David Gaider on Zevran, under a cut for length:

"I was going to skip over Zevran, honestly, as I felt like I didn't have a lot to tell in the way of stories about him... but I know he still has some (ardent) fans. Plus, on reflection, I thought maybe I DO have a few things to say. 😅 Sooo we'll see how this goes. Zevran came along much later in the DAO process, as we were trying to round out the cast of party members. Alistair and Morrigan were well underway (as "main" characters, they were concepted very early) and I'd just started to consider who our Rogue followers might be when... things changed, a bit. See, BioWare had released a game not long beforehand called Jade Empire. It had included some same-sex options in its romances - not obscured like the way Juhani's "romance" had been hinted at in KotOR, but explicit. To this day, I have no idea who on the Jade Empire team was behind it, or why. More to the point, the same-sex options had received a lot of attention and praise - almost universal praise, in fact. In 2005, everyone was just pleasantly surprised. And I don't recall if I went to James and asked about it or if he came to me to suggest DAO should include it. The latter, I think."

"You might ask "Aren't you gay, Dave? Weren't you already pushing for this?" And the answer to that is, emphatically, "no, not at all". It might seem odd looking through the lens of 2024, but there was no talk of 'representation' or 'diversity'. Not at any level where we were aware of it, anyhow. Today, fans argue about how MUCH representation to include and whether it's done well enough... the idea that, less than twenty years ago, it being included *at all* was very much in doubt feels so far away. But, back then, I'd always assumed my private life and my work in games would never meet. So I think it was James who brought it up, because I remember being startled. Pleasantly so, of course. Now I had to look at our two rogues and figure out how this would apply. I sketched out the female of the two (who was taken on by Sheryl Chee) and then looked at the male - he who became Zevran. I'd been reading about the CIA and one thing that stuck with me was how they'd (allegedly) recruit gay men as assassins because they rarely had familial ties. Zevran wasn't going to be gay (bisexuality wasn't a question of representation, but a cost-benefit compromise) but that was the inspiration."

"Then there was the question of how "flamboyantly" I was writing this character, whether that might be too stereotypical? I don't remember how it arose, but I had too many "flamboyant" friends to do anything other than double down. This character was gonna be Zorro the goddamn Gay Blade, that's what. So that's how Zevran happened. Fun, a bit nihilistic, maybe a bit too overtly flirty for today's audience but very confidently *sexual*. Everything I'm not, so I'll admit it was an interesting exploration to dig down and find that voice somewhere inside. He was the anti-Alistair, and I needed that. Casting him was difficult. Caroline always tried to go for authentic accents, when we could, but for some reason this was getting us nowhere. I think back, and I suspect it's because I hadn't yet learned the lesson to not use terms in casting descriptions I thought were universal... but were not. What do I mean by that? Well, there was one write-up that said "drow elf". Now, I know what a drow elf is. It wasn't even important to the description, but the director saw the word "elf", and you know what we got back? A Keebler elf. Like a leprachaun, high and sweet and cutsie. Can you imagine?"

"In this case, I think it was the use of the word "assassin". Combine that with the sorts of roles many Hispanic actors in LA probably are asked to play, and all the auditions we were getting were 150% dark, mean, and gritty. 🫠 So we widened the casting call a bit, and this led us to Jon Curry. I knew Jon wasn't Hispanic, but what I wasn't prepared for when I flew down to meet the DAO actors was that he's this extremely tall, extremely Nordic looking dude who just happened to do the most amazing Antonio Banderas impression. Watching THAT man channel Zevran was... more than a bit surreal. 😅 And he had fun with it. As soon as we gave him the go ahead to play the fun and flirtiness to the hilt, that's exactly what he did. Over the few days where we found Zevran's voice, it totally supplied me with something I could hold in my head when I went back to Edmonton and finished writing him. Zevran was funny enough that the fans liked him. The only part of the reception I thought odd was the occasional comment by a male player who felt "tricked" into having sex with Zevran. "You mean... that part where he invites you to his tent for a sensual massage?" "Yes! I was expecting a massage!" "He literally says the massage is sensual." "Well he wasn't clear enough!" This is where I first came to the conclusion that a certain number of our players just don't know how to people. And that maybe an adjustment to the way we approached the messaging (or massaging lol) of romance was in order. If I could go back, would I change anything? Maybe I'd remind the systems team Zevran should really be able to pick a lock. And maybe not allow him to die. We had no idea we'd need to import these choices into the future - we kinda thought DAO was "one and done". Not so much, as it turned out. 😁"

[source thread]

David Gaider: "there's something to be said about how Zevran flirted and even had sex with you because he thought that's all he had to offer... not just you, but anyone. And when he realized you wanted something deeper, suddenly he was on unsteady ground and it truly unsettled him. It was fun to explore." [source]

User: "So David - besides loving the fact that the third image you picked is a gay sex scene - what happened in DA2(DAE - come on) with Zevrans design?" David Gaider: "Check the ALT text. It wasn’t a custom sculpt, so that’s as close as they could get it. Which… was not close." [source]

User: "Just to make sure I fully understand: the director (was it the voice director?) saw the word "elf" and thought you were looking for someone high, sweet, and cutesie?" David Gaider: "Yeah, this was from back before we managed VO in-house. The voice director in this case just didn’t have an association with “elf” like some familiar with fantasy would." [source]

[alexanderwales]

Me: I don't really like modern art. Kat: Did you see that Jacob Geller video? Me: I did. I didn't meant that I don't like modern art in a facscist way, just like ... I don't like it. I look at the paintings, at Rothko, and I just don't get it. Kat: A lot of it you have to see in person, I think. The pictures don't really do it justice, especially Rothko, some of those are huge, and you just stand in front of it and it's like ... as close as I've had to a religious experience. Me: I mean, I went to the Museum of Modern Art in Washington, D.C. And I went to the Tate Modern. And whatever the one in Seoul was called, and another in San Francisco, the de Young Museum. I've seen, in person, stuff from Rothko and Pollock and a bunch of the other Abstract Expressionists. Kat: That ... is a lot of modern art museums for someone who doesn't like modern art. Me: I want to like it. I hear the way people talk about it, how a Rothko evokes these emotions in them, and it's like all I can see is paint on canvas. I don't know. Like I'm blind. Kat: You're the opposite of a tortured artist. An art viewer who tortures himself. Me: It's not that. I mean, some of the stuff I really do get something from. It's not all Rothko. I don't walk into every art museum and just groan in agony. But there are this class where ... people like this stuff, and in my head I'm like "people like this stuff?" Kat: They do. I do. Me: Right, and I do believe that. But there's this part of me that's struggling against the human instinct to go "no, they're all lying for some reason, it's a game of peer pressure, or clout chasing". I think that way lies madness. I think that's a trap that people fall into all the time, because they do the typical mind thing, and they say "well if I don't like modern art, no one else must like modern art". Kat: And you're trying to correct for that by ... looking at a bunch of modern art you don't enjoy. Me: Kind of, yeah. I saw Barnett Newman's Stations of the Cross and I thought the idea of it was interesting, the journey of Christ as laid out in only a handful of brushstrokes. But the actual paintings, I just had never felt further from my fellow man than looking at them and trying to understand them. I sat and tried to meditate, to clear my mind, to let some thought come to me, but it was still just paint on canvas. Kat: And you're what, just going to keep going to modern art museums? Me: If I'm in a city with one, sure. Because sometimes there's something that speaks to me, it's just never the Abstract Expressionist stuff. Kat: I cannot imagine doing that, repeatedly viewing something in a genre you don't like. Is it because it's high status? Because you're clout chasing? Me: I don't think so. I think it's just alien to me, no matter how many reviews I've read extolling the works, how many people have explained these individual pieces. And you know, when we went to the one in D.C., we had our son with us, and he was looking at all this stuff too, and when we went out I asked him which was his favorite. He said it was one of the Pollocks, Lavender Mist. Kat: Cute. See, the kid gets it. Me: I asked him what he liked about it, and he said to me, "you can see the drips". Kat: Sometimes that's all there is to it.

[fading-event-608]

It’s thanksgiving in us and black Friday tomorrow. I do not participate in either, and I hope you do not too. But if you do, I want to remind you that there haven’t been a safe day in Gaza for over a year. For this thanksgiving many in Gaza would be lucky to be warm or sated, and I'm not even going to talk about safety. Falastin’s family (and many more) will be thankful to have ANYTHING on the table today, and with the current rates of donations they will, and I promise I’m not over exaggerating, freeze or starve to death.

Her family has endured more than 50 displacements now and has had many family members martyred since last October. They wanted to buy another tent and waterproof materials in September* but they didn’t get enough donations (they are forced to spend what they have on food) and now they are starving. 

Last time the campaign met the daily goal of 500 USD was 22 days ago - a goal that was meant to be a stepping stone. And this week they didn't even raise 400 USD so far. If you are not familiar with prices in Gaza or Falastin’s campaign you may think that it’s a lot, but it’s very far from the truth. Prices in Gaza are still rising, aid is getting sparser (just like the world's attention to Palestine) and they need all the help they can get to feed 26 people. Even 1 or 5 dollars can help since it will push the campaign up in the algorithm on gofundme.

Donate via Gofundme (in SEK! check rates below please): LINK

$5 CAD = kr39 SEK $5 USD = kr55 SEK €5 = kr57 SEK $10 CAD = kr78 SEK $10 USD = kr109 SEK €10 = kr115 SEK $25 CAD = kr195 SEK $25 USD = kr274 SEK €25 = kr289 SEK $50 CAD = kr390 SEK $50 USD = kr547 SEK €50 = kr577 SEK $100 CAD = kr780 SEK $100 USD = kr1,094 SEK €100 = kr1,155 SEK

Donate via PayPal (in USD): LINK

Incentives:

raffle for a hand-made Palestinian thob LINK (from 50 USD)

commissions from me (from 15 USD) - LINK for an example.

Please match/up my donation from 3 days ago if you can.

------------------------------------------------------------------------------

Vetting info: #282 in El-Shab-Hussein and Nabulsi's spreadsheet [here], #957 in the Butterfly Project spreadsheet [here]

Falastin's account - please visit and reblog.

*the post says 24 family members but on oct 6th this year Falstin's cousin was martyred and his 2 orphaned children are now in their care.

[ilikeyoshi]

"#yes yes yes!!!! #and ngl it makes me want to read or engage with it more too!"

i hope it's ok to point out these tags bc this is SUCH a huge mood i think deserves a little more explanation!!!! (at least from my perspective as both a creator (writer) and fan (of artists))

i used to have a ton of anxiety when creating and especially sharing my works, and my impulse was always to talk down on it, because a) i* (*my anxiety) believed it to be bad, and b) because i had this idea in my head that if i lowered people's expectations, they wouldn't be as disappointed when reading it.

i want to tell you what i've learned in my years of both being a writer and being a fan of artists, and it's that this is a terrible, terrible anxiety fallacy (like so many ideas/misconceptions borne of anxiety are) that ONLY hurts you, your work, and your potential readers(/fans/etc). it SOUNDS like a good idea when you have really bad anxiety, i know, i used to DEPEND upon this idea just to have the courage to SHARE my writing—and i want to emphasize that it's OKAY if you've done this before, it's an easy, easy trap to fall into, but i also want you to try and stop doing it because there are a lot of reasons you would feel better and do better for doing so.

you are what you practice! if you only ever focus on or speak about the flaws in your art, you WILL feel negatively about your art. my very first therapist explained it in a way that still really resonates with me: you have created a well-beaten, highly trafficked "road" in your brain. it is very easy to take this road because even though it's longer to your destination, it winds and bends, it's walked on so much it's flat and easy to traverse. when you try to build a NEW path—in this case, a path where you focus on what you like about your art—you're starting with no path at all. it's all undergrowth and vines and thorns and it hurts and it's tiring and you feel like this will NEVER be easier or feel better than the old path. but you have to keep taking the new one. you have to beat down the undergrowth until it recedes, cut down the low-hanging branches until you can walk with your back straight, and if you keep at it, if you keep at this thing that feels so pointless and stupid and hard, eventually, the path will be clear, and easy to walk, and you'll make great time getting to your destination because it cuts straight through; no winding or bending. and the old path? it will overgrow, and it will become hard and stupid to take. you have to beat the new path because once it's beaten, it'll be the far superior path in every way, including ways the old path was never superior even when it WAS the one you were always taking.

further—as these tags point out, and as i agree with wholeheartedly—by disparaging your art, you DO lower people's expectations. people don't want to be sad, frustrated, disappointed when they look at art—at least, not unless the art itself is trying to tell a story about that. you get what i mean, i hope—they don't want to go INTO something they already HAVE negative reviews on—your reviews! you, the creator, have already told this person the story/art/whatever is going to be bad, and i know, i KNOW it's not your intention, you're hoping someone will see through what you can't and tell you no, no, this is good, i liked this! and some people do! but you make it a lot harder for them TO do that when you tell them right at the beginning, "this is going to be bad, i don't like it," because what you're unintentionally telling them is, "and you probably won't like it either." the first way i learned this was in people always saying in their fanfic summaries, before you even open the fic, "the summary is bad, i'm bad at writing summaries, the story is better trust me bro." because what this does—again, so unintentionally, i KNOW what you're trying to do because i've been you—is you're telling the reader, "here's my pitch, here's the hook to my entire story, it's the worst part, it's bad, but the rest will be better," and what they KNOW is they've already put the time in reading the summary, and it's hard to commit MORE time to something when you've already told them it's bad, even if you promise the rest is better. it's like biting into a fruit and you hate the taste of the skin; it's harder to try the rest of the fruit when, so far, it's been bad (or you've been made to believe it's bad).

so what's the solution? how do you begin beating that new path? well, it depends on you. everyone's a little different in how they navigate stuff like this. but what worked for me, and what might be a good place to start (and by all means adapt as you figure out what works and what doesn't), is start by just NOT saying anything negative. no, "i don't like this," or "the summary's bad, sorry," or anything. write your artist's comment, author's note, whatever as normal, and REMOVE anything that depicts your art/writing/etc in a bad light. just don't give people any opinion whatsoever on what experiencing your creation is going to be like. this, for me, was easier than jumping straight to, "i'm pretty proud of this," or "i enjoyed working on this," because it wasn't withholding AND replacing, it was JUST withholding. going back to the roads and paths metaphor, i think of this part as the "taking a breather before i get to work on this monumental task of beating this new path" stage.

then, overtime, i started "stretching" my positive comments about my works. if i liked, say, TWO LINES out of a whole piece of writing, i'd say, "i'm really proud of this work!" because i AM proud of ANYTHING AT ALL, NO MATTER HOW SMALL, within the work. it's not a LIE, to anyone including yourself, but it is, perhaps, an EXAGGERATION. that's OKAY. we're trying to teach our brain to look on the bright side, to take the new path, and i've found that treating it a little bit like a dog—giving it a treat for ANY TINY BIT OF PROGRESS, was a good way to encourage myself to start making MORE progress. ESPECIALLY because the tags i reposted above are RIGHT: LOTS of people are MORE interested in a work when their very first impression (YOUR impression!!!) is positive. 'the artist/writer/etc is proud of this? oh, i'm so glad they had a good time creating, let's take a look!" it probably sounds too easy if you're still taking that anxiety-beaten road, i know, but try to think of how you've felt when someone disparages their creations versus uplifts them. were you put off by the negativity? were you sad that your friend worked so hard on something and didn't even like it? conversely, doesn't it make you a little excited when an artist says they really feel good about something they made, especially in a world where so many artists ARE feeling inadequate? i hope you see what i mean.

it's not an overnight thing, of course, this took me YEARS. this took a miracle that doesn't happen to most people: i wrote something i felt SO TERRIFIED people wouldn't like, even though i was secretly very proud of it (but too scared to dare suggest i was proud of it), so i indicated all kinds of things like "i hope you like it, i dunno if it's any good, it's just a little thing i'm chipping away at in my spare time" (it was not, it was a full-blown passion project) and, against the odds, a LOT OF PEOPLE told me they really really really liked it. a couple of friends who were decently popular in the fandom it was for liked and shared it and i got A LOT of encouragement. i basically got to beat my new path with a HORDE of helpers, and it was more like THEY beat the path for me and i chased along like, "what is happening, oh my god, what are you doing???"

i got really lucky. that doesn't always, or even usually happen. in most other areas of my life, i've had to beat the path myself. and it takes a long time if you're doing it on your own. but you should anyway, because it's so fucking worth it dude. yeah, it was awesome to get so much help with my writing confidence specifically, but it's been just as worth it every time i've had to do it alone too. and i have good news! there ARE ways to tell people you're on this journey of making yourself a new path. here are some suggestions:

"i'm new/rusty at this, so please let me know what you think!" - informs potential readers/viewers/etc you are learning and gives them an opportunity to HELP you learn. this is a positive interaction! this allows people to find a GOOD experience EVEN if they didn't enjoy the story much, because they can help, and people DO, MOSTLY, like to help.

"i want to improve at [dialogue]" or "i'd appreciate advice on [lighting]." - similar to the first example, but does 2 things: gives viewers specific instructions that can be really helpful for those that aren't sure how/what to critique (surprisingly common thing; the more specific you are about what you want advice on, the more likely you are to GET advice), AND allows you to, neutrally and non-disparagingly, ask for help in areas you don't feel confident about.

"leave a comment if you liked it!" or "let me know what you liked best!" - listen. i don't think 'fishing for compliments' is bad as long as you're not being manipulative about it. these examples are very clear in what they're asking for, which is compliments, positive reviews, etc. and that's okay!!! first of all, lots of people LOVE praising works they like, i promise, and asking them to DOES make them feel like they have "permission" to (i know that sounds silly but i also know if you have anxiety about creating, you have anxiety about commenting, i see you, i was you). secondly, i have gotten the MOST encouraging, confidence-boosting comments this way, especially with the latter example. there is NOTHING more immediately anxiety-curing than a comment that says "i liked [scene/dialogue/character/etc] specifically." it's AMAZING. (also, if you're looking for advice on commenting, this is a GREAT thing to do. imo, this and "speculating/interpreting the work" are the two coolest comments i get they make me feel AWESOME.)

remind yourself, as many times as you have to, CONSTANTLY if you have to: likes/kudos mean someone enjoyed your work enough to press a button. views mean someone liked your work enough to click through for more. these are POSITIVE interactions, they are not "less positive" than comments or reblogs/reshares. i know those last two things are more obviously gratifying, and depending on if you NEED your work to spread (for exposure/commision prospects/etc), very good, awesome ways to support you, and i don't mean to say you shouldn't WANT comments and reblogs/reshares. but for me, it's helped me a lot to recognize that any bit of effort whatsoever means someone LIKED my work. it's also helped me to think of all the times i've shared a link to an artwork in a discord or something, and know that there is an entire, untangible metric i can't and will never see that, sure, i can choose to believe doesn't exist or isn't very high, but i can ALSO choose to believe it happens quite a lot, and the latter makes me FEEL better about my work and makes me want to create MORE, so i think that's the more productive mindset personally. it doesn't matter what the truth is, you know? we'll never know it and it doesn't harm us to never know it. but it DOES harm us to assume no one quietly, unseen by us, likes our work, and it DOES ENCOURAGE US to assume lots of people do.

here's the thing: anxiety disorders fuck you up by making you believe extremely negative, scary, depressing things. the disorder gets worse the more you allow it to make you believe these things, and the only way out, as stupid and hard and at times impossible as it feels, is to say, "no, i don't like that interpretation, i'm going to replace it with a positive one." anxiety is making paths all throughout your brain, and you have to just, make paths too. anxiety needs YOU to make paths, but YOU don't need anxiety to make paths. your paths WILL be better, safer, easier and happier. you just—and i know that is the biggest "just" ever—have to make them.

but i believe in you. i don't need to know you or your circumstances to believe in you. i believe in the sheer amount of control you have over how you face the world. and it's so much more than anxiety would lead you to believe.

i looooove seeing artists & writers proud of their work!!!!! i looooove captions & authors notes that say things like “i’m quite happy with this” “i love how this turned out” “i had so much fun making this”!!!!!! i loooooove when the act of creation is joyful & we take pride in what we make!!!!!!!!!!

[briseroyawritingsblog]

𝑩𝒓𝒆𝒂𝒌𝒊𝒏𝒈 𝒕𝒉𝒆 𝒓𝒖𝒍𝒆𝒔

𝑶𝒍𝒅𝒎𝒂𝒏!𝑳𝒐𝒈𝒂𝒏 𝒙 𝑩𝒊𝒎𝒃𝒐!𝒓𝒆𝒂𝒅𝒆𝒓

• +18 minors do not interact. unprotected sex (don’t do that folks), smut, cute farm things, size kink, reader has big gorgeous breasts, rough sex (if you squint), lots of cum, dom dynamics (kinda), etc.

𝟔𝟎𝟎+ 𝐅𝐎𝐋𝐋𝐎𝐖𝐄𝐑𝐒 𝐂𝐄𝐋𝐄𝐁𝐑𝐀𝐓𝐈𝐎𝐍!!! 𝐓𝐇𝐀𝐍𝐊 𝐘𝐎𝐔 𝐒𝐎 𝐌𝐔𝐂𝐇 𝐅𝐎𝐑 𝐘𝐎𝐔𝐑 𝐋𝐎𝐕𝐄 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐒𝐔𝐏𝐏𝐎𝐑𝐓 𝐎𝐍 𝐌𝐘 𝐅𝐈𝐂𝐒! 𝐈 𝐀𝐏𝐏𝐑𝐄𝐂𝐈𝐀𝐓𝐄 𝐄𝐕𝐄𝐑𝐘 𝐒𝐈𝐍𝐋𝐄 𝐎𝐍𝐄 𝐎𝐅 𝐘𝐎𝐔!! 🤍🤍🤍🤍

𝒍𝒐𝒈𝒂𝒏 𝒎𝒂𝒔𝒕𝒆𝒓𝒍𝒊𝒔𝒕 / 𝒎𝒂𝒔𝒕𝒆𝒓𝒍𝒊𝒔𝒕

divider by @anitalenia

Once the first snow stuck to the ground you were packing your stuff to visit your grandparents at the farm. The snow covered everything and you loved spending time with your grandma it was a tradition. Placing your foot out of your car you were smiling wide as your grandma greeted you holding a cherry pie. Your favourite. Running into her arms you hugged her tight. You were telling her everything, how you were and how happy you become since it was a long time since you actually visited the family farm. Several miles out from the city, the nature hit differently. Now– especially close to Christmas. You promised to decorate your grandparents house and cook many delicious meals with your grandma. After all… she was like your mom. A golden soul-

“Logan! Come in! Would you like a slice of pie?!” Your grandma called from the kitchen. The backyard door was open, so you peeked out seeing an older man cutting down several logs of wood. He wore a very cozy jacket- the tallest man you have ever seen. His hands wrapped around the end of the axe and he swung it effortlessly making you jump slightly. “I’m alright Mrs Harper just gonna finish this wood for ya. Laura is comin home from school soon.” He grunted out, you bit your lower lip. You swore that he had the most attractive physique you’ve ever seen despite the greying beard and the silver grey hair. He was so strong, the long legs of his- your thighs pressed together unaware you were actually staring he stopped cutting the logs giving you a gentle stare back. You were like a ray of sunshine– your eyes and the apples of your cheeks. Your height alone made his cock heavy in his jeans. He didn’t know how to feel whether to simply kidnap you and fuck you silly or to just stay away from you. Option number two was more suitable and it was rare that women would look at him and acted the way you did. Women avoided eye contact with him especially the younger ones because well- he was trice their age just like you. He swallowed and you watched his Adam’s apple bob. “Y/N! It’s cold come in” your grandma grabbed your arm gently yanking you inside the cottage. Logan smirked softly to himself. Thinking to himself you were certainly a very young flesh and he shouldn’t even think about anything- but you attracted him.

“Alright I’m done Mrs Harper” he came inside the cottage placing the keys from the barn on the counter. You kept your gaze down on your coffee warming your hands around the cup. “Thank you so much Logan.” Your grandma smiled. “Are you sure I can’t give you some pie to go?” He shook his head slowly eyes on you. Gosh you felt his gaze burning the back of your head. “I’m sure Mrs Harper you have yourself a good evening. Both of ya” surely this man had manners, and that was even more attractive. “Goodbye Logan! Tell Laura she’s more than welcome to come here and spend time with my granddaughter!” Logan smiled nodding his head “Surely.” Once the man left you took a deep breath. Your cheeks burned. “He’s a good man. But very, old for you.” Your grandma cupped your cheek and you nodded. “I wasn’t thinking differently.” You lied taking a gulp of the warm coffee. The warmth of the coffee leaving a pleasant feeling in your chest as you chatted away with your grandma until your grandfather returned home.

Early in the morning you attended the animals, of course you fed them and changed waters for them. You cuddled few chickens and collected the eggs from the hens and cleaned out their coop. Once the animals were taken care of you visited the horse stalls. Holding a bag with sliced carrots you fed your favourite before an exciting thought occurred to you. You could ride your horse- you haven’t got to in a long time and the morning ride could definitely refresh your mind. Saddling your horse you greeted your grandfather as he entered the stalls smiling wide as he thanked you for all the work you’ve done the entire morning. Galloping out the stalls you waved to your grandma, giggling as your horse nodded its head and jumped over the wooden railing. You rode him through the snowy field and your soul felt freed. It was so amazing that one moment you thought you were flying until you saw a truck drive by, you stilled your horse. It was Logan- it seemed like he was returning from town. “Good Morning!” You called as he slowed down. He wore specs, you blushed as he greeted you back “Mornin, didn’t know you can ride.” He parked his truck on the side of the road you mesmerised by the sight of you sitting on that beautiful horse wearing a jacket with simple jeans but the sexiness and good energy radiated from you creating warmmess all around you. You nodded eagerly “Of course I can. I grew up here, he’s mine” you caressed your horses mane. Logan observed you, how beautiful you looked and those thoughts quickly changed because his eyes fell to your chest. You were indeed ‘gifted’ by Mother nature. “Who’s Laura?” You asked him “My daughter” he responded lighting a cigar. The smoke escaped through the window of his car. “Are you married?” You wondered no agenda behind it of course you stayed respectful. “I’m not sweetheart, are you?” The question made you giggle. “No Mr, I’m definitely not married.” Logan smiled small putting the cigar between his lips still sitting in his truck. Your horse was becoming impatient so you said your goodbyes. It was a short conversation but he called you a sweetheart and that woke butterflies in your belly. Logan thought of you.. oh he thought of you more than he actually should. So he did anything to busy himself- not to think of you. Just a man after all… and you? This young happy woman. For him to ruin.. later.

You wanted to meet Laura. Your grandma said that she’s a young girl and that she loved animals. Knowing you’re great with kids you finished your evening by attending the animals again lastly giving your horse a gentle brush and you plated his mane. You were just a farm girl thinking big about men and how one day you wanted to get married. Unfortunately not having a good luck with men only once and that one broke your heart so you broke up two years ago. Work occupied your mind and truly you haven’t even registered that you were walking to the lake nearby the farmhouse. Seeing the lights in the cottage across and the truck parked near you figured it’s Logan’s. Life was different out here… it was so good. The peace and quiet. Closing your eyes smelling the fresh winters evening breeze– it was freeing. Your grandma called for dinner so you let the thoughts about the charming Logan be for a moment and you walked back inside your farmhouse. The next morning was the same, work with the animals and then cooking with grandma. You were picking the winter apples for apple pies since the bake sale would be on Saturday. You helped as much as you could and to busy your mind. “Look who is visiting today!” Your grandfather brought a basket full of apples holding Laura’s hand. She was a little girl.. with dark beautiful hair and dark eyes. She smiled at your grandma- you greeted her and soon you two were getting along. She wasn’t talking much but understood quite well. “Where’s your daddy today?” Your grandma asked softly. “Hunting” she responded tasting some of the sliced apples. You frowned “Hunting with a shotgun? Like hunting animals?” You were so against it but people did it of course those ones who owned a license for it. “Yes.” She nodded and you put the dough down. “Are you hearing this?” You let out a frustrated growl. “How can someone hurt innocent animals!”

“You are A BAD MAN MR!!” You ran up to his truck pointing at him. “Am I?” He gruffly responded getting out. “You shoot animals!” You scowled. “And?” He gave you another response fuelling your frustration. “Yes! Did you shoot any today?” You asked following him around the truck. “Maybe. Now whatcha doing here little girl? Go back to your horses. Are you even good at something different? Callin me a bad man.” He tsked. “Well yes I am!! Now that’s also rude!” You responded clearly angry with him. “Like what? Fucking?” He arched a brow lighting a cigar leaning against his truck. “Excuse me?!” You gasped, your cheeks growing hot. “Well you ride a horse good can you ride some cock too?” You couldn’t believe the way he said it. “Maybe” you closed the distance between you two bravely looking up at him. “I don’t ride strangers cock, a man at your age.. you’re not my type Mr.” Logan took a hit of his cigar blowing the smoke in your face. “So why the starin and fuck me eyes n’all?” You pressed your thighs together. “I can smell you princess. That pussy is wet” he motioned with his eyes and you pulled the cigar out of his mouth throwing it. Getting on your tiptoes you pressed your lips against his, Logan responded hungrily sweeping you off your feet carrying you inside his cottage. Throwing you in his bed he unzipped his jacket breathlessly looking at you. His stare was filled with desire, darkness.. and you were still too dumb to understand it. Your brain just couldn’t wrap around it- why did men look at women this way especially when they needed ‘some’– they were like hungry animals you feared you were about to be devoured like a prey.

“That’s it babygirl” Logan guided you on his cock, his eyes were glued to your breasts which threatened to jump out of your blouse as you shamelessly bounced on his thick veiny cock. You held his shoulders for support and those big calloused hands roamed your thick thighs. “F-fuck” he shuddered holding fistfuls of your ass before letting go and slapping it making you yelp and moan even louder. “I-I c-can ride so good just like my horsey” you babbled as he hummed letting you rise your hips up and take him back right inside of you bouncing up and down his cock. He was so hard, your ridged walls welcomed him coating him in your juice and that caused you to whimper out. “Too dumb to understand when a man wants you princess” he breathed slapping your ass again making you mewl clenching around his cock. “Argh I should be fucking you so good right now” he tsks drawing fast circles against your clit making you lose the current pace. You were not able to ride him as he continued to please your clit like that. “M’so close..” you sobbed. Your breasts bounced as you started to ride quicker, your core blooming with warmth approaching your climax but Logan seemed to be displeased. “Fucking yourself on oldman’s cock and being dumb about it too” flipping you over so he was on top of you- making you cry out. He sheated himself entirely into you your toes curling and you helplessly moaning as he began to snap his hips into you. “that’s right baby, cry around old man’s cock. So dumb because of some cock” you nodded truthfully.. you only had sex once and now you didn’t know how to breathe since he was filling you out so good.

One orgasm later, you cleaned yourself in the bathroom gosh you were so full of him seed. Blushing furiously, when he came to the bathroom. His body was littered in scars, smoking a cigar it rested lazily between his lips. Standing by the sink, you shivered when he stood right behind you hovering above you “already leavin?” Asking, you nodded touching the sink. His big calloused hand traveled over your side to your belly down to your sex. He smelled the mess on it.. and in it. You both made so much mess. “Could think of ways to make you stay buttercup..” you swallowed looking at him in the mirror. You felt his hot erection on the curve of your butt and soon he was sinking back inside of you from behind. This way you never had it this way- it felt so much more deeper and dizzying. “Oh gosh..” leaning your back against his chest gripping his big forearm he grunted snapping his hips into you clapping his front against your ass. The cigar still burned between his lips and your eyes rolled back into your skull. The endless lines of moans and whimpers Logan found himself wrapping his arms around your front both hands grabbing a hold of your breasts. “F-fuckkkk” he breathed speeding up his thrusts fucking into you, with not just vigour but joy. The way your walls hugged his cock was out of this world “feels so good baby.. letting an old man fuck your pussy like this” you whined trembling with approaching orgasm and as his thrusts grew rougher your were hit with an earth shattering orgasm. The tip of his cock nestled against your sweet spot and you couldn’t last any longer, you clenched and milked all of him until he was forced to still his hips leaning on the wall above you with his hand letting out hungry growls and moans against your ear filling your core with another load. You believed that your legs turned to jelly as you collapsed against his chest your head lolling back against his right peck. “You gonna come back buttercup..” you nodded with a small smile. “Maybe.. but promise me you won’t shoot any animals” he nuzzled his nose against your own before capturing your lips in a deep lusting kiss. You felt his cock grow in your core stretching it again, and you knew you weren’t going to make it back to the farmhouse anytime soon.

-

(Any mistakes or typos I apologise in advance)

[doerot]

Top 5 characters you relate to/kin

Ahh haha ok um...

5. Stephanie (I am in love with her and also I project onto her too much)

4. Lenalee (she.... she. 😭)

3. Tome (mp100 she's just like me fr fr)

2. Shikamaru (I would be lying if I said half of my personality, especially from middle school, isnt taken from this man,, except I don't have a 200 IQ so you can see how well its going for me)

1. Kirishima (dyed hair and pronouns, depressed but tries really hard to be positive for themself and others,, we do not have to talk about it)

[hinamie]

I don't want to regret the way I lived

[cheshirewrites]

"Darling," a voice calls from the door, "we have another one."

Dahlia sighs, and gets to her feet. The harvest had been going so well, too, she thinks to herself, sparing a glance towards the basket at her feet. The basket, as big as it is, is barely halfway full. The bottom is lined with freshly picked fruits and fragrant herbs, the usual kinds of things you would expect to find at a witch's residence.

She had been looking forward to working in her garden, and once she was done with that, checking on the magical creatures that tended to roam their woods.

Still, Dahlia knows what her lover is talking about, and that is far more important.

When she steps into the kitchen, Ari is leaning against the counter. There's flour on her cheeks and on her dress, and the smell of something baking in the oven, and Ari is engaged in a rapid fire conversation with a stranger.

And that, of course, is where the problems usually begin.

The stranger -- a teenager, because fate has always favored youth -- looks at Dahlia and grins. "'Ello, my good lord." Their grin turns playful. "Or should I say, my dark lord?"

"Neither," Dahlia says, as she makes herself comfortable next to Ari. "It's Dahlia, no formalities needed."

Their expression doesn't change. "Miss Dahlia, then."

Ari shifts closer, like she's going to tell a secret. "Do you have a name, little traveler? If you don't, I'm sure I can come up with something to call you."

"Fox," they say, and the name certainly fits, with their pointed features and scruffy, auburn hair. When they smile, it's all teeth. "My name is Fox."

"Well, little Fox," Dahlia says, taking a thorough look at them. Worn clothes, prominent ribs, a smile sharper than knives. "Cut to the chase. I doubt you sought out a dead hero and tyrant for fun."

Fox snarls, agitation clear in every inch of their body. "You are not the tyrant here," they say, angrily. "You aren't the one tearing apart the ground and poisoning the water. You aren't the reasons that thousands of people no longer have a roof over their head. You aren't the reason my Prince-"

They cut off abruptly, lanky body curling in on itself as a frown takes over their face. It reminds her of Ari, when she still kept her hair cropped short and always had countless daggers on her person. Back before she died, and was being run ragged for months on end.

"You work with the royal family, don't you, little Fox?" Dahlia says, not unkindly. "Many people in similar positions would call this treason."

The words have an undeniable effect, as Fox straightens to their full height. "I only work for the Prince," they say, "I'd happily watch the rest of them rot."

At her side, Ari smiles. "I'm glad that the youth haven't changed," she says, and her bright tone doesn't fit her next words. "Would you kill him if you had the chance?"

Dahlia gives Ari a knowing look.

Dahlia might be the former dark lord, or whatever it was they call her these days, but Ari is not without her moments. She had to learn how to fight somewhere, after all, and she has done a lot of things that aren't written in the history books.

She hides her amused smile behind her hand, and gives the two heroes a moment to themselves. It isn't hard to check on whatever is baking, after all, and Dahlia doesn't want to see her lover upset if something burns.

Besides, Dahlia thinks, Ari knows all too well the dangers of being associated with royals, and the price that comes with their status.

Of course, it doesn't really take that long to check the bread, and know that it still has plenty of time to go, but Dahlia gives them their privacy. She catches whispers, snippets of conversations, but doesn't pay them any mind.

Ari is more than capable of having this conversation on her own, and Dahlia will leave them be until Ari suggests otherwise.

It happens sooner than she expects. Her lover tape her shoulder, lightly at first, and then firmer, when Dahlia doesn't immediately respond. Dahlia just hums, gently closing the oven before she straightens, opting to lean against the counter again.

"Dahlia, my love," Ari begins, her expression somewhere between fond and pleading. "How do you feel about committing a little regicide? Might make for a lovely vacation, hm?"

Between the look in Ari's eyes, and the hope written all across Fox's face, there is very little doubt about what her answer will be. Between a former hero and dark lord, and their new little Fox, Dahlia is certain that the king won't survive another two weeks.

Dahlia smiles.

After all, things had just gotten a lot more interesting on this little farm of theirs.

The hero and the dark lord have both disappeared after their battle, making everyone think they both perished. In reality, they are living on a farm, living the life of their dreams.

[paintedcrows]

Holiday Classics

Been thinking about Ford watching the 70s Animated Lord of the Rings Movies... (companion comic to this post!)